Manuscript Information Authors

[1]	N. Serov, Faculty of Applied Psychology, St.Petersburg State Institute of Psychology & Social Work; 55, 6 Liniya, V.O., 199178-St.Petersburg, Russia.
[2]	J. Manteith, Translation Editor, "Apraksin Blues", 47494 Arroyo Seco Road 6, Arroyo Seco, California 93927-9715, USA.

Abstract

Color is an essential category of culture. Following Goethe, it has been shown that color as "unconscious" information represents an ideal image of the material world, with the character of the ideal fundamentally an essential predicate of information. The ideal's specific character should not be viewed as an isomorphism of heterogeneous systems, given the phenomenon of information adequate to a message's semantics (e.g., to image) but not always to form (stimulus pattern, signal). Chromatism theory allows consideration of the predicates of being in the form of the following ontological "chroma" plans: color as the signified (color perception), the ideal — Id-; pigment as denotation (environmental self-coloration), the material — Ma-; skin color as a basic organic factor (color sensation), sensus — S-; color name as signifier — the non-objective and ideal with respect to the S-plan, but in the Id-plan, objectified and materialized in a thesaurus — Mt- (thesaurus of color designations); emotions, feelings, idioms, canons as embodiments of information-energy relations among relevant "chroma" plans. These definitions make it possible to glimpse the actual differences between Frege's concept and the reality of color objectivism.

Keywords

Semiotics, Color Image-Concept, Information Models of Being

Reference

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